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Fist with ring and logo HB
Hendrik Behnen playing on the Prophet 5 and Fender Rhodes
Face and ring HB

"My work is characterized by emotional depth, refined harmonies, and a contemporary approach to composition. I strive to tell stories with my music that touch and resonate." 

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Productions by Hendrik Behnen

Alcohol In House - TERRA

Throw Me Into The Sea - Naomi Seine

Artwork 'Litanie' in the picture you see a lonesome person

Litanie is an EP in collaboration with singer and theatre maker

Naomi Seine, in which five songs by Jacques Brel have been uniquely modernized and electronically reworked to give Jacques Brel's music a touch from the twenty-first-century.

Artwork 'Gooi Me In De Zee' in the picture you see the face of singer Naomi Seine

'Gooi Me In De Zee' is a song from the performance 'Als Wolken Konden Dodenl' by theatre maker and singer Naomi Seine.

In the song, Hendrik used sound recordings of the sea to support the musical story, on top of that he added harp samples made by harpist Sanne Bakker, which create a terrifying effect.

Jojo - Naomi Seine

The Air Belongs to Everyone - Judith Agaath

Artwork 'Who Follows' a red line with people waiting

"Wie Volgt" is an adaptation and translation of the song "Au Suivant," written by Jacques Brel in 1964. The aim is to breathe new life into this song by using modern production and synthesizers.

"Wie Volgt" was written as an anti-war song, which is suddenly all the more relevant these days. It's bizarre that a song written as a response to World War II still has such poignant lyrics. When you listen to "Wie Volgt," you feel the shocking forces that war can bring.

Artwork 'De Lucht is Van Iedereen' In the picture you see the sky and clouds

"De Lucht Is Van Iedereen" (The Air Belongs to Everyone) is the second track in a two-part series in collaboration with Judith Agaath. "Machine" and "De Lucht Is Van Iedereen" are composed in a specific way, allowing them to be listened to as two separate singles or as one long track with two chapters. "Machine" comments on the current times, the use of phones and other tools, while "De Lucht" offers a stark contrast and a more optimistic outlook.

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